Wrong

Holy moly of unholy,
I remember the truth wholly,
I remember tears at night,
Everything was dark and fight.
On the inside, I am rot,
On the outside, I am not,
But with tears and lost and found,
I am worth a half of pound.
Holy moly, shit of ashes,
Look at all the time that passes,
Seconds, minutes, hours long,
Everything I did was wrong.

Review: Peter Gabriel – Back to Front

Peter Gabriel is one of the greatest things that ever happened to music and me, so it was only natural for me to attend the greatest sermon that ever graced my eyes. Yes, I tend to use hyperbole when talking about gods, so please bear with me.

The Back to Front concert hosted on the 8th of May of this sweet year (joking, this year has been everything but sweet to me) was met with great expectations by me, and I am happy to say that these expectations were surpassed by Mr. Peter Gabriel.

I tend to Google the plot synopsis before I watch movies and TV shows, but I never look for set lists online, because I want my live experience to be virgin and genuine. So, except for one video of In Your Eyes, I didn’t know what to expect from Back to Front.

Mr. Peter Gabriel is very punctual, fortunately, and I did know that, but I didn’t expect to see him at 8:00 on the stage, announcing the beautiful Jennie Abrahamson & Linnea Olsson, who served as his backing vocals too.

I was glad to see that this great artist I have loved since I was little was still full of energy, with his raspy voice somewhat changed – it has a deeper, more serious tone, but it’s still sweet and full of hope. Whenever I listen to him I managed to drift away and dream of home, and dream of dreams, all the while I’m dancing and floating in space.

I tried several times to tell you about this experience, but I never had the full dictionary available. I am so sorry for being so poor with regards of words, and I am sorry I lack the imagination to tell you about one of the most awesome experiences I had when it comes to live music.

I remember the crowd, that special crowd you see only when live „old music” is playing. The crowd that suffered the limitations of the old regime, the crowd that found liberation in music, the crowd that still has values and still dreams while having its eyes open.

I remember not fitting in that crowd, because I am too young to fit in there, but not fitting in the Tiesto crowd either, because that doesn’t make me feel safe or warm, but I also remember Mr. Peter Gabriel making me feel at home with his music, so I guess there’s no greater achievement for an artist.

I remember feeling quite unsure of how to dance and act during O But, but I remember feeling full of home while listening to Come Talk To Me. Shock The Monkey was great, of course, and innovator, but then Family Snapshot followed, and I was left WTF?!

Digging In The Dirt was there to remind us of Perter Gabriel’s eclectic taste in music, as were Secret World, and The Family And The Fishing Net. No Self Control was awesome, musically and visually, and with Solsbury Hill the Master touched old fans and new ones alike. This part of the concert ended with Why Don’t You Show Yourself?, a song that’s part of the soundtrack for a movie that’s a part of a trilogy about drugs, prostitution (I think) and religion. The song has a message, but I think its concept was lost somewhere on the way, because the public was very bored during the performance.

The peak of the concert was, of course, the reiteration of So, the 1986 album. Red Rain started this session with red visuals, and everyone singed along with Peter Gabriel. Sledgehammer followed up and everyone was already high on music, but when Don’t Give Up started it was clear that this is the best version of the song. I am sorry, Miss Bush, but Linnea Olsson beat you at your own game. That Voice Again and Mercy Street slowed down the people, but thank god for Big Time, whose only purpose was to renew everything in anything. This song is truly so much larger than life, even after all this time. We Do What We’re Told (Milgram’s 37) is so underrated, and I really don’t understand why, and so is This Is The Picture (Excellent Birds). These two should’ve been taught in music classes, because stylistically they are so out of this world, I can’t even begin to…

The concert should have ended with In Your Eyes. Where else can I see 40+ year old guys singing songs that belong on teen flick soundtrack? But no, the next two songs pushed the public away, at least here in Romania. The Tower That Ate People and Biko ended in a distant note what should have been left at awesome.

The whole concert was a great experience, and I must admit that the crowd was even more engaged in the show than I expected. Even though some of the songs were a little bit too artsy fartsy for their own good, Peter Gabriel pulls that off, so kudos for him. I’d love to see him again!

Love Wins

Love wins the battle,
But not the war.
Inside my heart there’s nothing,
And all I am is sore
From all the breathing and the bruising.
Tell me who finishes this time?
Is it the sparkly angel,
Or devils – hundred, at one dime?
Love lies when you tell me
It conquers with its might.
I gave up all the feelings,
I want to lose this fight.

The Final Push

You know those words too well. Or at least, this is how I fool myself at night, because at night it’s the only time when I can fool myself. The complete lack of light is not confusing, but inducing. It helps me induce a proper state of being mocked and fooled, and that’s so familiar, I just can’t hate that feeling.

It was two years ago, the first time I met you. Yes, I am well aware that you did not acknowledged me in any way, but I took notice, and I indulged myself in that sweet eye candy that was way too dangerous.

For a few weeks, I just stood there whenever you walked in the office, with that smile that could light up – literally! – one thousand rooms. The sound of your voice was calm, and it sent chills down my spine, without meaning something in particular.

I heard you once talking about this blues singer, and even though I was a stranger to this kind of music, I looked it up and fantasized about sharing those notes with you.

In short time, I started wearing different clothes, I started using makeup and you started to notice me too.

It was that absurdly warm May afternoon, when you met me at the coffee machine. The automat refused me service, but when you arrived, with your shirt sleeves were up to your elbows and your big grin that prophesied absolutely nothing good, the machine started working all of a sudden. I can still remember what you said to me, straight and very up close and also very personal.

„Your dress is amazing. I bet its collar matches your good girl attitude”.

I was wearing one of those scalloped dresses, with a white collar. That white, resting on the rest of the bubbly blue dress, was hinting at a very childish personality, and at that point, I felt very childish myself. I really did not know how to react to you, so I said nothing, while smiling embarassed at my own lack of wit. But you took my coffee away and you were even more verbal than before.

„I want to taste you”.

And you sipped my coffee slowly, and I started to burn from the inside.

After a few dates, I started to lose patience and control. You felt so solid, yet so distant and cold, and I wondered what I did wrong. You always talked about how you want to taste me, but that only happened when we were at work. When we went out, you were the perfect gentleman, ever so sober, ever so calm, never wanting to kiss more than my lips. Maybe my neck, if I was a good girl, but that rarely happened…

The nights were difficult, but then, in the bitter mornings, my bed was still empty, still cold. Only one shadow could be guessed, and that shadow was mine, and my shadow was longing for something more real.

At work, some people took guesses, but most of them already knew about us. There were the inevitable glances, the meetings at the water fountain and the „projects”. The leaving together and the long searches in the morning, until you arrive. So everybody guessed, but no one dared to ask. Neither did I.

Three months of squirms. Three months of insecurities. Three months of cold sweat whenever you kissed me in front of my door, wanting to invite you in, but then you rapidly left the building…

Three months until my sheets met you with the same warmth they greeted me with. Three months until you asked to borrow my toothbrush, and until I laughed at your sleepy face in the morning. Three mornings until you found out I also drink coffee at home, and that my coffee making skills are terrible. You still make fun of me because of that, but now it doesn’t mean a damn thing to me.

I know you cheated on me. I know how and when and I know the person who willingly put herself in your bed. In our bed. I noticed the same initial treatment, I noticed the same peacock dance in front of her, the dance you danced for me not so long ago. I noticed how you started saying „I love you”s more and more, trying to cover up your mischief, trying to soften the blow.

I pretend to be blind, and I try to calm the fuck down. I know how bitter is the lie, and I take it with a sugary spoon and wide smile that echoes your own. I pretend that your lie does not hurt me, and I pretend to be happy, because you chose to lie in order to cover up something that shouldn’t need cover. I pretend to smile for the man that isn’t a man anymore, but a child chosing to use words to comfort his own lack of courage.

I am just waiting to see when you’ll have the balls to confess your wrong doings. I know this is not wise, or helpful from my part, but I just can’t quit now. I want to hear you say it, I don’t want to force it out of you. This is already dying, and I just want you to be the one to give it the final push.

Review: OneRepublic – Native

I’ve been hooked up on a lot of things lately – music has been a refuge for me, so it’s kinda understandable that I’m always playing something in the back of my head. I also dream of living in a musical, so there’s that.

But there’s one album that keeps creeping up on me while I try to work, or meditate, or, you know, just breathe.

OneRepublic‘s Native is their best effort so far, and that’s easy to see if you check how many times I’ve hit play and not skip while listening to their stuff.

The album has spawned a few hits so far, and everyone knows the oh-so radio friendly Counting Stars and even Burning Bridges, but there’s so much to this album than what meets the ear.

Counting Stars is dependable, for lack of a better word, but it’s poppy and dancey, and that can never be a bad thing, right? It’s full of energy, but it doesn’t have that urban sound that Tedder strives to achieve most of the time. It’s just a safe song, and I can live with that. (7.5/10)

If I Lose Myself is deep, deeper than expected from the second song of this album. It starts soft, but in just few seconds it builds up to so much more. The song incorporates the urban sound that Ryan Tedder loves so very much, and it feels like home for OneRepublic. This song smells like summer, and that’s never a bad thing. (9.5/10)

Feel Again is such a pop anthem, it hurts. In a good way. I could use it to pump up the energy while hitting the gym, and I love it for that build up that can be heard while playing the chorus. (8/10)

What You Wanted is a beautiful ballad, filled with feelings, because… Love. I just feel safe, at peace whenever I hear this song, and they lyrics are pure poetry for us people looking for meaning and love. (9/10)

I Lived is the best song for declaring mistakes. How can you not love it?! So full of energy and belief, this song opens the eyes and brightens the day, and I just love it. (10/10)

Light It Up makes you witness a little switch – from the pop anthem to the sexy pop anthem. Charged with electricity, this song uses the bass line more, and that means only one thing: sex! Too bad the sexiness is short lived… (8/10)

Can’t Stop is just a cry for something (or someone) you lost. It’s sad, and selfish, just how I like my songs. It’s a plea, a bargain, a quest – something that never ends well. But Tedder’s vocals on this one send me goose bumps and chills, so the song rises through his voice. (9/10)

Au Revoir feels a little misplaced on this album, with all the violins and the strings, with all that peace that emerges through its words and sounds. The beginning of the song states perfectly the mood that it induces me… „Today I’m not myself”. (8/10)

Burning Bridges is, by far, my favorite song off Native. I love the hopeful sound it has, and the urban beat that can be heard throughout the song. Ryan Tedder never sounded this good. (10/10)

Something I Need gives me the impression that Ryan Tedder is an addict, and he likes his addiction very much, thank you. This song is playful and fun, and hopeful, and lustful, and that’s kinda awesome, don’t you think? (9.5/10)

Preacher is, again, one of the songs that don’t feel like a part of this album. But somehow, this song fits perfectly. The story is great, the first time I listened to it made me cry, and I never had a grandpa. Maybe I should have had one… (10/10)

Don’t Look Down is, by far, the most forgettable song of the album. Whenever I get to listen to it, I’m always amazed by how little I know this song. I couldn’t rate it, if I wanted to. (?/10)

Something’s Gotta Give is the urbanest of the urbanest from this album. It’s a weird song, that seems to drag on too long, it never feels like home, but somehow, I never push skip whenever this one hits my earphones. (10/10)

Life in Color starts out like a Christmas song, so cheery and colorful (see the pun? please laugh at my pun!), and it just fills me with joy and happiness. (9/10)

All in all, this album is awesome. I never want to push skip, I only want to listen to it while walking around the town. Now, since the weather allows me to…

Tracklist: 0:00 Counting Stars 4:16 If I Lose Myself 8:24 Feel Again (With Heartbeats) 11:27 What You Wanted 15:26 I Lived 19:19 Light It Up 23:29 Can’t Stop 27:39 Au Revoir 32:30 Burning Bridges 36:48 Something I Need 40:49 Preacher 44:55 Don’t Look Down 46:37 Something’s Gotta Give 51:28 Life in Color 54:51 If I Lose Myself (Acoustic) 58:42 What You Wanted (Acoustic) 1:02:05 Burning Bridges (Acoustic)