Review: OneRepublic – Native

I’ve been hooked up on a lot of things lately – music has been a refuge for me, so it’s kinda understandable that I’m always playing something in the back of my head. I also dream of living in a musical, so there’s that.

But there’s one album that keeps creeping up on me while I try to work, or meditate, or, you know, just breathe.

OneRepublic‘s Native is their best effort so far, and that’s easy to see if you check how many times I’ve hit play and not skip while listening to their stuff.

The album has spawned a few hits so far, and everyone knows the oh-so radio friendly Counting Stars and even Burning Bridges, but there’s so much to this album than what meets the ear.

Counting Stars is dependable, for lack of a better word, but it’s poppy and dancey, and that can never be a bad thing, right? It’s full of energy, but it doesn’t have that urban sound that Tedder strives to achieve most of the time. It’s just a safe song, and I can live with that. (7.5/10)

If I Lose Myself is deep, deeper than expected from the second song of this album. It starts soft, but in just few seconds it builds up to so much more. The song incorporates the urban sound that Ryan Tedder loves so very much, and it feels like home for OneRepublic. This song smells like summer, and that’s never a bad thing. (9.5/10)

Feel Again is such a pop anthem, it hurts. In a good way. I could use it to pump up the energy while hitting the gym, and I love it for that build up that can be heard while playing the chorus. (8/10)

What You Wanted is a beautiful ballad, filled with feelings, because… Love. I just feel safe, at peace whenever I hear this song, and they lyrics are pure poetry for us people looking for meaning and love. (9/10)

I Lived is the best song for declaring mistakes. How can you not love it?! So full of energy and belief, this song opens the eyes and brightens the day, and I just love it. (10/10)

Light It Up makes you witness a little switch – from the pop anthem to the sexy pop anthem. Charged with electricity, this song uses the bass line more, and that means only one thing: sex! Too bad the sexiness is short lived… (8/10)

Can’t Stop is just a cry for something (or someone) you lost. It’s sad, and selfish, just how I like my songs. It’s a plea, a bargain, a quest – something that never ends well. But Tedder’s vocals on this one send me goose bumps and chills, so the song rises through his voice. (9/10)

Au Revoir feels a little misplaced on this album, with all the violins and the strings, with all that peace that emerges through its words and sounds. The beginning of the song states perfectly the mood that it induces me… „Today I’m not myself”. (8/10)

Burning Bridges is, by far, my favorite song off Native. I love the hopeful sound it has, and the urban beat that can be heard throughout the song. Ryan Tedder never sounded this good. (10/10)

Something I Need gives me the impression that Ryan Tedder is an addict, and he likes his addiction very much, thank you. This song is playful and fun, and hopeful, and lustful, and that’s kinda awesome, don’t you think? (9.5/10)

Preacher is, again, one of the songs that don’t feel like a part of this album. But somehow, this song fits perfectly. The story is great, the first time I listened to it made me cry, and I never had a grandpa. Maybe I should have had one… (10/10)

Don’t Look Down is, by far, the most forgettable song of the album. Whenever I get to listen to it, I’m always amazed by how little I know this song. I couldn’t rate it, if I wanted to. (?/10)

Something’s Gotta Give is the urbanest of the urbanest from this album. It’s a weird song, that seems to drag on too long, it never feels like home, but somehow, I never push skip whenever this one hits my earphones. (10/10)

Life in Color starts out like a Christmas song, so cheery and colorful (see the pun? please laugh at my pun!), and it just fills me with joy and happiness. (9/10)

All in all, this album is awesome. I never want to push skip, I only want to listen to it while walking around the town. Now, since the weather allows me to…

Tracklist: 0:00 Counting Stars 4:16 If I Lose Myself 8:24 Feel Again (With Heartbeats) 11:27 What You Wanted 15:26 I Lived 19:19 Light It Up 23:29 Can’t Stop 27:39 Au Revoir 32:30 Burning Bridges 36:48 Something I Need 40:49 Preacher 44:55 Don’t Look Down 46:37 Something’s Gotta Give 51:28 Life in Color 54:51 If I Lose Myself (Acoustic) 58:42 What You Wanted (Acoustic) 1:02:05 Burning Bridges (Acoustic)

Disclosure – Latch feat. Sam Smith

I used to listen to that other Disclosure song (particularly the Flume remix of You & Me), but now I found a new obsession to sum up some of the things that happened in the past few weeks or so.

All of the hope, and the ruin, and the wanting, the desperation, the frustration, the waiting and the breaking of the spirit.

Sam Smith‘s voice is so comforting and it makes me feel as if even bad choices are good enough to stand on their own. Oh, well. At least I had the memories.

(Never [3x])

You lift my heart up when the rest of me is down (never)
You, you enchant me even when you’re not around (never)
If there are boundaries, I will try to knock them down (never)
I’m latching on, babe, now I know what I have found (never)

I feel we’re close enough
I wanna lock in your love
I think we’re close enough
Could I lock in your love, baby?

Now I got you in my space
I won’t let go of you (never)
Got you shackled in my embrace
I’m latching on to you (never)

Now I got you in my space
I won’t let go of you (never)
Got you shackled in my embrace
I’m latching on to you (never)

I’m so encaptured, got me wrapped up in your touch (never)
Feel so enamored, hold me tight within your clutch (never)
How do you do it, you got me losing every breath (never)
What did you give me to make my heart beat out my chest (never)

I feel we’re close enough
I wanna lock in your love
I think we’re close enough
Could I lock in your love, baby?
I feel we’re close enough
I wanna lock in your love
I think we’re close enough
Could I lock in your love, baby?

Now I got you in my space
I won’t let go of you (never)
Got you shackled in my embrace
I’m latching on to you (never)

Now I got you in my space
I won’t let go of you (never)
Got you shackled in my embrace
I’m latching on to you (never)
Latching on to you
I won’t let go of you (never)
Latching on to you
I won’t let go of you
(Never let go, never let go)

Throwback Thursday: The Flys

Back from that time when the ’90s were awesome, and times were simpler, and Katie Holmes was still Joey. Which reminds me, I have to start watching Dawson’s Creek again.

High school and hearts are broken. Do you still remember those dreams?

Review: The 1975 – The 1975

You know I am a little bit crazy and I obsess a little bit too much, but I guess that’s sort of endearing, because you keep coming back, right? Riiiight?!

You already know I love The 1975 (and they love me back, cause I posted a picture on Instagram which featured one of their songs), so I guess a review of their self-titled debut album is needed.

The 1975 is an ethereal piece, filled with synth sounds from the future of 1985 ( 1975 plus a decade), weird, but very familiar. (8.5/10)

The City is angst-y and angry and I love it! It’s my first contact with the band, but it won’t get old too soon. It gives me hope and makes me want to run away, it makes me wanna get drunk and make mistakes. I just love the rock sound of this piece. (10/10)

M.O.N.E.Y. is, of course, weird, because The 1975, people, The 1975! I’m not sure if I like it, because I think it’s a bit too electronica for me, but I must agree that the sound is very mature for the band. I guess that lyrically it does nothing for me, so maybe that’s why I’m not a big fan of this song. Also, very nice the thing with the sax! (7/10)

Chocolate is a very happy song, with a perfect combo of rock, electronica, great lyrics and a beautiful English accent. The guitars are awesome, also the drums, and the rhythm of the overall song. (9/10)

Sex starts out so very powerful, I find it a great song to roam freely on the highway. And, sometimes, this is all I need from my music. All that rhythm, all those issues from the lyrics… Awesome product! (8/10)

Talk! seems, at least after the first few lines, like it doesn’t belong on the album. But musically speaking, it blends in perfectly and builds on the core that is The City. (7.5/10)

An Encounter… with an alien! This is how this song sounds like. It’s an instrumental piece, but I don’t think I drank enough to like this one. (5/10)

Heart Out… Well, in 2008 I had those electronica bands that popped out from everywhere. Heart Out sounds so 2008, but it’s so much better than that. It’s youthful and danceable, so I like it, thankyouverymuch! (9/10)

Settle Down sounds a bit like The City, but with a little more spunk. It is still awesome, but I have to say I was a little bit let down by the perpetual lack of inspiration from the band. (9/10)

Robbers is one of my favorite songs off the album. It sounds so serious, and Matthew Healy‘s vocals are so airy and dreamy. The sound of the drum is a growing obsession in my heart. The whole song is a plea, it’s so filled with love… I can’t even start to… (10/10)

Girls. Another favorite of mine, but this time with a little more joy and happiness. The video is so funny (and it’s directed at Robert Palmer‘s Addicted To Love, so kudos for that!), and the whole song is so fastforwardonlove, gotta love it! It just makes me happy. (10/10)

12 is another instrumental piece that, as usual with me and instrumental pieces, it speaks nothing to yours truly. (?/10)

She Way Out and the guitars. Lovely. Sad. Young. Filled with mistakes and filled with regrets. (8/10)

Menswear is from outer space. I think I’m feeling some Kraftwerk in that, or at least something along those lines. Still, nice to meditate on that. (8/10)

Pressure gives me the feeling I’m back in the 90s. And I wonder where Kenny G is? (9/10)

Is There Somebody Who Can Watch You is, basically, the perfect ending to this perfect album. It’s so peaceful and quiet and makes me love you so much right now! (10/10)

The album is cohesive and the songs blend very well, regardless of the sound they have. The whole aspect is somewhat ethereal and alien, with future sounds combined with ’70s synths, the ’80s sax and ’90s energy. Some of the songs make me want to dance, and some of them make me want to cry, but most of them manage to do make dance while crying. This is what makes The 1975 – the album – so addictive.

Track list: 01. The 1975 00:00 / 02. The City 1:20 / 03. M.O.N.E.Y. 5:07 / 04. Chocolate 8:43 / 05. Sex 12:31 / 06. Talk! 15:58 / 07. An Encounter 18:45 / 08. Heart Out 19:57 / 09. Settle Down 23:22 / 10. Robbers 27:22 / 11. Girls 31:38 / 12. 12 36:00 / 13. She Way Out 37:14 / 14. Menswear 41:13 / 15. Pressure 44:39 / 16. Is There Somebody Who Can Watch You 48:20

Breaking News: Peter Gabriel in Romania!

I was planning on reviewing the latest Miley Cyrus album (yeah, I know, right?!), but before that I wanted to show you the album signed by The 1975 (you know them, old obsession of mine).

But my day was turned upside down (well, not quite) by the unexpected news that… Drum roll, please!

Peter Gabriel is coming to Romania!

Well, take a look at that. Let that sink in for a second or two…

And let me tell you what that means to me.

This means that my childhood is so-so near and that music that I hold dear to my heart is even nearer. I was a weird kid, as you already know by now, and I remember two videos with incredible precision.

One of them is SledgehammerAnd the other one is Steam.

And of course there are other sounds that mean the world to me, but Peter Gabriel was there with me when I grew up and I definitely want to see the guy live as soon as I can.

Soon being on 8th May, 2014. When certain things are to be celebrated. 🙂

Britney Spears – Work Bitch

PS: This piece was supposed to be titled „The Secrets of Liking Britney”. Somehow, that extra glass of wine (or is it whine? just kidding!) made me rephrase it and mask it in one of my reviews.

Yeah, there’s a secret! Didja really think this is selfexplanatory and not-at-all ming boggling?

No! Liking Britney sits up there with other ideals, of making people more than their decisions. It’s like liking a fat girl for her personality and a nerd for more than his bank account.

You have to see past the techno tempo, past the glittery S&M bras and past the nakedness. You have to be deep and to pay attention.

You better work, bitch!

PS: that comma is important. Don’t let no one tell you otherwise.

The Killers – Shot At The Night

The most killer Killers song this year.

I listen to it, and I want to be covered in night, in the beautiful dark air of freedom… I want a special summer that lasts for a second, I want lights that shine bright above me, I want to be a shadow that dances til the morning…

This song makes me remember simpler times, when I was younger, and free, and with cares that belonged to only me. It makes me feel like a steady rock of glowing energy, if that’s even possible.

It makes me remember summer and islands and purple suns. It makes me remember mirrors that don’t lie and people that don’t hurt.

I think someday I had a shot at the night, but then I grew up and it all went black.