Selfish is easy, easier than you might even think,

Smoking and drinking, aimlessly, carelessly,

And it always makes you think you’re on a brink

Of losing your head, your normalcy.

Repeat of repeats, binge living and watching,

Like being stuck on a carousel of feelings,

Where people keep on taking in the brainwashing.

We’re all just poor, trashy, weaklings.


For all the times when my body wasn’t mine,
Please remember
I was just a vessel,
A pathway to something better.
I had room to grow,
I was still this cookie dough
That legends talk about.
All I could do was
Resist and pout.
Now I’m not better,
And I’m not worse either.
I’m the same vessel,
With a little more stuff in me.
I still have room to grow,
And will probably do so
Until there’s no more room left.
Then this vessel won’t be as deft,
And things will spill,
And that’ll no longer be a skill.
Spillage becomes louder,
Spillage becomes death.
Spillage becomes chowder,
That’s when I’ll lose my breath.

I’d Love It If We Made It

I’d love it if we made it,
This world of our is so complete,
Inside my head,
Between these old bones of mine,
I’d love it if we made it real.
Stop wasting time,
Stop wasting me away,
As I disintegrate in salty tears,
Irrational fears are eating me away.
I’d love it if we made it,
I’d be happy if we could just pretend to make it.
Fuck your feelings.

Review: The 1975 – The 1975

You know I am a little bit crazy and I obsess a little bit too much, but I guess that’s sort of endearing, because you keep coming back, right? Riiiight?!

You already know I love The 1975 (and they love me back, cause I posted a picture on Instagram which featured one of their songs), so I guess a review of their self-titled debut album is needed.

The 1975 is an ethereal piece, filled with synth sounds from the future of 1985 ( 1975 plus a decade), weird, but very familiar. (8.5/10)

The City is angst-y and angry and I love it! It’s my first contact with the band, but it won’t get old too soon. It gives me hope and makes me want to run away, it makes me wanna get drunk and make mistakes. I just love the rock sound of this piece. (10/10)

M.O.N.E.Y. is, of course, weird, because The 1975, people, The 1975! I’m not sure if I like it, because I think it’s a bit too electronica for me, but I must agree that the sound is very mature for the band. I guess that lyrically it does nothing for me, so maybe that’s why I’m not a big fan of this song. Also, very nice the thing with the sax! (7/10)

Chocolate is a very happy song, with a perfect combo of rock, electronica, great lyrics and a beautiful English accent. The guitars are awesome, also the drums, and the rhythm of the overall song. (9/10)

Sex starts out so very powerful, I find it a great song to roam freely on the highway. And, sometimes, this is all I need from my music. All that rhythm, all those issues from the lyrics… Awesome product! (8/10)

Talk! seems, at least after the first few lines, like it doesn’t belong on the album. But musically speaking, it blends in perfectly and builds on the core that is The City. (7.5/10)

An Encounter… with an alien! This is how this song sounds like. It’s an instrumental piece, but I don’t think I drank enough to like this one. (5/10)

Heart Out… Well, in 2008 I had those electronica bands that popped out from everywhere. Heart Out sounds so 2008, but it’s so much better than that. It’s youthful and danceable, so I like it, thankyouverymuch! (9/10)

Settle Down sounds a bit like The City, but with a little more spunk. It is still awesome, but I have to say I was a little bit let down by the perpetual lack of inspiration from the band. (9/10)

Robbers is one of my favorite songs off the album. It sounds so serious, and Matthew Healy‘s vocals are so airy and dreamy. The sound of the drum is a growing obsession in my heart. The whole song is a plea, it’s so filled with love… I can’t even start to… (10/10)

Girls. Another favorite of mine, but this time with a little more joy and happiness. The video is so funny (and it’s directed at Robert Palmer‘s Addicted To Love, so kudos for that!), and the whole song is so fastforwardonlove, gotta love it! It just makes me happy. (10/10)

12 is another instrumental piece that, as usual with me and instrumental pieces, it speaks nothing to yours truly. (?/10)

She Way Out and the guitars. Lovely. Sad. Young. Filled with mistakes and filled with regrets. (8/10)

Menswear is from outer space. I think I’m feeling some Kraftwerk in that, or at least something along those lines. Still, nice to meditate on that. (8/10)

Pressure gives me the feeling I’m back in the 90s. And I wonder where Kenny G is? (9/10)

Is There Somebody Who Can Watch You is, basically, the perfect ending to this perfect album. It’s so peaceful and quiet and makes me love you so much right now! (10/10)

The album is cohesive and the songs blend very well, regardless of the sound they have. The whole aspect is somewhat ethereal and alien, with future sounds combined with ’70s synths, the ’80s sax and ’90s energy. Some of the songs make me want to dance, and some of them make me want to cry, but most of them manage to do make dance while crying. This is what makes The 1975 – the album – so addictive.

Track list: 01. The 1975 00:00 / 02. The City 1:20 / 03. M.O.N.E.Y. 5:07 / 04. Chocolate 8:43 / 05. Sex 12:31 / 06. Talk! 15:58 / 07. An Encounter 18:45 / 08. Heart Out 19:57 / 09. Settle Down 23:22 / 10. Robbers 27:22 / 11. Girls 31:38 / 12. 12 36:00 / 13. She Way Out 37:14 / 14. Menswear 41:13 / 15. Pressure 44:39 / 16. Is There Somebody Who Can Watch You 48:20

Review: The 1975 – The City

You know that one band everyone loves and you’re the only one that doesn’t get it? I found this band for me a few years ago.

30 Seconds To Mars was always on the news, on the blogs and on TV, everyone thought of them as some Messiah, with the genius of Jared Leto leading them into greatness. I listened to it, but it made no impact on me. I’m not sure how many times I tried to see something there, only to be disappointed with losing my time. Though I love Leto as an actor, as a director and as a creative imaginative being, I think nothing of his music. Sometimes it sounds pretentious without reason, and other times it’s just plain.

I think I found my 30 Seconds To Mars today. Shuffling through YouTube I stumbled upon The 1975. At first, I giggled and my brain started singing „74-75„. I hit the play button, and now I’m stuck in a loop that makes me feel good.

It’s a song that celebrates life and love and the great power of the city. I am a city lover, so I found myself in the lyrics. Their poetry is simple and complicated at the same time, oozing of urban smells, making you breathe concrete, pointing you in all the wrong directions… How can I not love this?!

The video for The City is wild, black and white beauty, with grey undertones and smoke and tattoos and love of all kinds.

Don’t call it a fight when you know it’s a war.
With nothing but your t-shirt on.
And go sit on the bed ’cause I know that you want to.
You got pretty eyes, but i know you’re wrong.

And don’t call it a spade if it isn’t a spade.
And go lie on the floor if you want.
The first bit of advice that you gave me that I liked was they’re too strong, too strong.
Get in the shower if it all goes wrong.

Yeah you wanna find love then you know where the city is [x4]

Yeah counting cards was the best job he ever had.
Cleaning up.
He got good with his 4′s and his 2′s.
That community service was the best job he ever had.
Cleaning up.
He got sick on the floor and his shoes.

Oh and she said it’s your birthday,
Are you feeling alright?
The next one’s the MD.
You’ll be feeling just fine.
Your brother is just sat there,
You said he felt snide.
You hope that that boy will be alright.

Yeah you wanna find love then you know where the city is [x4]

Yeah well she said it’s your birthday,
Are you feeling alright?
The next one’s the MD.
You’ll be feeling just fine.
Your brother is just sat there,
You said he felt snide.
You hope that that boy will be alright.

Yeah you wanna find love then you know where the city is [x4]